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For Graham, the mental gymnastics necessary to add extra levels of meaning and resonance to books written for teens was energy better spent simply reading books written for grown-ups. A few years ago in Slate, Ruth Graham protested the growing trend of adults reading young adult fiction for pleasure. And, while I feel fairly confident that I could walk up to any parent or care-giver and immediately solicit from them a fully-formed, crackpot theory about a CGI animal, I feel equally sure that this practice is unique to the co-viewing experience. These shows might occasionally nod toward us, but they are not, in any meaningful sense, for their adult viewers. What I’m describing is something like a genre of deliberate misreading, and a very silly one at that. A few years ago, McSweeney’s even came up with a strangely compelling program for the “ Conference for the Association of Parents Who Watch Too Much Preschool Programming.” Pteranodon? Anything?) more theories than I can count about the precise structure and composition of government under the rule of King Friday on Daniel Tiger’s Neighborhood and, of course, perennial, vaguely disturbed queries about the existence of domesticated pets in cartoon universes populated exclusively by animals. Rex egg manage to appear in a Pteranodon nest in Dinosaur Train? Is nobody asking a follow-up question? Mr. There were lots of vexing questions about finances (How has the Man in the Yellow Hat come upon his apparent fortune? Who’s bankrolling Ryder’s massive Paw Patrol budget?) perhaps self-reflective questions about parenting and parentage (Do the PJ Masks exist in a Neverland-esque universe without adults? How exactly did a T. Crowd-sourcing this question on Twitter, my mind was blown by all of the artisanal conspiracies and arcana fellow adult watchers of children’s programming have collected over the years. Especially for full-time caregivers, care workers, and parents fortunate enough to be able to work from home alongside their virtually-instructed wards over the past two years, there’s only so much mileage available out of watching Gonzo dressed up like a Lannister.Īnd these are just the contours of my own personal fandom. But, most of the time, that parental outreach is notional at best.
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And sometimes, a show like Bluey comes along that both keeps our kids giggling and offers maybe the most perceptive and dramatically interesting TV representation of active co-parenting since The Americans went off the air. Most kids’ shows now aim for this multivocal tone. Over the years, that dual address led to a kind of split in the show, between the obviously kid-focused bits and gags and the obviously parent-focused ones like prestige TV parodies or guest spots from Jennifer Garner. The show winked to adults as it catered to kids, inviting and acknowledging care-givers as spectators, too. When Sesame Street debuted, it was revolutionary for addressing itself simultaneously to children and parents, encouraging the kind of co-viewing that developmental researchers have long said unlocks the possibilities of educational TV. But what strikes me about this particular discourse, what I find relatable about it, is how similar it is to the way that I, as a parent, watch children’s TV. The internet will find new avatars, new memes will replace this one, fresh discourses will be discoursed. More than that, it provides the people of the internet a friendly, furry rage avatar in a cultural moment defined by dumbstruck frustration at the preposterous intransigence of Other People. Rocco’s not alive!” It’s a great meme: The video is GIF-able length, there’s a pull-quote that’s applicable in all sorts of situations, and fuzzy, nostalgic Sesame Street is about as universal a cultural touchstone as there is. What follows is a Larry David-esque meltdown culminating in the now-iconic lines, “How?! How is Rocco going to eat that cookie, Zoe!? Tell Elmo! Rocco doesn’t even have a mouth. That cookie, she says, is for her pet rock, Rocco. When he asks if he can have a seemingly available cookie on the counter, Zoe refuses.
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In the clip, Elmo-the red, third-person-speaking, oft-betickled, second-generation Sesame Street denizen-is having oatmeal raisin cookies with his friend Zoe. Last week, in a viral event that will surely seem as though it happened six years ago by this December, a clip of Elmo getting mad began to circulate on Twitter.